Becky Hill has never been one to play it safe. Across a decade of chart domination, festival takeovers and club‑floor anthems, she’s carved out a lane entirely her own, equal parts underground credibility and mainstream firepower. But her third album, ‘REBECCA’, landing September 25th via Polydor, feels like the moment she stops running at the pace the industry demands and starts moving at the pace she chooses.

And if the new single ‘More! More! More!’ is anything to go by, that pace is frantic, fearless and absolutely feral.

‘More! More! More!’, premiered as Radio 1’s Hottest Record, is Becky at her most unfiltered. Built on serrated electronic production and songwriting sharp enough to draw blood, it’s a track that captures the chaos of a decade spent in the spotlight. Not the glamorous bits, the grind, the pressure, the self‑inflicted expectation to keep delivering, keep performing, keep being “on”.

It’s satire, but it’s also confession. Becky calls it “the push and pull of never being happy… doing too much but it never feeling enough.” It’s the kind of honesty that hits harder because it’s delivered with a wink, a smirk and a bassline that could level a festival tent.

The video, directed by Joseph Delaney, doubles down on the intensity. Shot through a body‑cam lens that never lets you escape her emotional extremes, it follows Becky through a 24‑hour loop of boardrooms, glam chairs, choreography and creeping paranoia. She collapses into bed at 5:30am, wakes at 10am, and does it all again. It’s claustrophobic, clever and painfully relatable for anyone who’s ever felt like life is happening at them rather than with them.

The album itself is Becky’s most personal and creatively liberated work yet. Written during a period of deep reflection, it digs into ambition, identity, visibility and the contradictions of a life lived loudly in public.

She calls it “curated chaos”, and that feels right. This is Becky reconnecting with the sounds that shaped her — guitar music, alternative textures, heavy electro, euphoric electronics, and smashing them together with the dance and DnB DNA that’s always been her signature.

It’s bold. It’s emotionally charged. It’s unpredictable in all the right ways, and crucially, it’s Becky refusing to dilute herself for anyone.

“I’ve always wanted to be the people’s artist”, she says. “But that doesn’t mean having to please everybody all the time”

If you’ve seen Becky Hill live, you already know: she’s a powerhouse. Glastonbury, Reading & Leeds, Parklife, Creamfields — she doesn’t just turn up, she takes over. Her first UK & Ireland arena tour sold out, and this summer she’s back on the road with a run of outdoor shows and festival headline slots.

For South West readers, the big one is June 20th at the Eden Project — a venue that suits her scale and emotional punch perfectly.

Summer 2026 dates include:

Cornwall – Eden Project (June 20)
Cannock Chase Forest (June 26)
York Racecourse (June 27)
Hitchin Priory (July 24)
Together Again Festival – Headliner (July 25)
Bristol – Clifton Downs (August 2)
Canterbury – St. Lawrence Ground (August 8)
Poznan – BitterSweet Festival (August 13)
Borde Hill (August 15)
Colchester – Castle Park (August 22)
Creamfields – Cheshire (August 30)

‘REBECCA’ is a reclamation. A reminder that behind the hits, the headlines and the high‑octane performances is a woman navigating the same contradictions, anxieties and ambitions as the rest of us, but unlike most of us, she’s turning that chaos into something euphoric. With her powerhouse vocals, razor‑edged songwriting and a renewed sense of creative ownership, Becky Hill is stepping into a new era, one that feels bigger, braver and more honest than anything she’s done before.

And if this is the sound of Becky Hill finally becoming Rebecca? We’re absolutely here for it.

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