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Photo Credit: Emanuela Giurano

Gogol Bordello – We Mean It, Man! - A post‑punk groove revenge from the wild sonic west

February 18, 2026

Gogol Bordello have never been a band to sit still. Across decades of border‑smashing punk, diasporic storytelling, and sweat‑drenched live shows, they’ve built a reputation for constant reinvention — a group forever mutating, forever restless, forever charging toward the next sonic frontier. With their new album We Mean It, Man! the New York‑via‑Ukraine collective double down on that instinct, emerging with their most distilled, electrified, and defiantly future‑leaning record in years.

Produced by post‑punk architects Nick Launay and Adam “Atom” Greenspan — names synonymous with the genre’s most vital modern eruptions (Nick Cave, Gang of Four, IDLES, Yeah Yeah Yeahs) — the album is a twelve‑track jolt of “post‑punk revenge,” as frontman Eugene Hütz calls it. It’s a phrase that fits: these songs snap, pulse, and ricochet with a kind of ecstatic urgency, fusing the band’s gypsy‑punk roots with techno‑leaning beats, loop‑driven textures, and a sharpened sense of melodic economy.

This is Gogol Bordello boiled down to pure voltage.

One of the album’s emotional anchors, “Life Is Possible Again,” arrives with a video that channels something rare in today’s cultural climate: optimism that doesn’t feel naïve. Hütz frames it through the lens of history — the cyclical nature of catastrophe and recovery, the human ability to rebuild, the stubborn persistence of hope.

“We will need all of those sources of optimism combined once the current cycle of atrocities passes,” he says. “Luckily, they are still there for us.”

It’s a sentiment that hits harder knowing Hütz’s long‑standing activism for Ukrainian solidarity, and the band’s ongoing work with organisations like Nova Ukraine and ArtDopomoga. For Gogol Bordello, optimism isn’t escapism — it’s resistance.

“Life Is Possible Again”: Watch / Listen

'We Mean It Man!' Track Listing

  1. We Mean It, Man!

  2. Life Is Possible Again

  3. No Time For Idiots

  4. Hater Liquidator

  5. Boiling Point (ft. Grace Bergere)

  6. Ignition

  7. From Boyarka to Boyaca (ft. Puzzled Panther)

  8. Mystics

  9. We Did Good With The Good We Did

  10. Crayons

  11. State of Shock

  12. Solidarity (Nick Launay mix ft. Bernard Sumner)

Across We Mean It, Man! the band stretch into what they call their “Wild Sonic West,” a hyper‑futuristic zone where punk, hardcore, techno, and Eastern European folk collide at full speed. It’s a continuation of the direction hinted at in their 2023 collaboration with Bernard Sumner on “Solidarity,” which reappears here in a new Launay‑mixed form featuring Sumner once again.

Tracks like “Hater Liquidator” and the title track are instant dancefloor detonators — all grit, groove, and catharsis — while “No Time For Idiots” channels a Strummer/Jones‑esque riff‑punk swagger with a chorus built for communal shouting. “Boiling Point,” featuring Grace Bergere, adds a melodic shimmer, and “From Boyarka to Boyaca” brings in Casa Gogol labelmates Puzzled Panther for a cross‑continental blast of rhythmic mischief.

Launay’s fingerprints are everywhere: the gated drums, the clipped tension, the sense of propulsion. But the soul remains unmistakably Gogol Bordello — multicultural, mischievous, and ungovernably alive.

To celebrate the release, the band are throwing a launch party with SPIN at Silver Linings Lounge, joined by Casa Gogol artists Puzzled Panther, Pons, Mary Shelley, plus a DJ set from Hütz himself and a promise of surprise guests. A Bandcamp listening party follows on Sunday, February 15 at 2 PM ET — a nod to the band’s long‑standing relationship with grassroots music communities.

It’s fitting. Gogol Bordello have always been more than a band; they’re a cultural crossroads, a travelling circus of resistance, joy, and border‑defying creativity. From their origins in New York’s Lower East Side — playing Ukrainian bars, crashing on couches, and eventually tearing up the stage at CBGB — to collaborations with Rick Rubin, Steve Albini, Regina Spektor, and now Launay and Greenspan, they’ve built a legacy on connection.

We Mean It, Man! feels like a culmination of that journey: a Frankenstein collage of everything that has ever made them great, stitched together with new electricity.

This is Gogol Bordello at their most distilled and most daring — a band with decades of history behind them, still sprinting toward the horizon with the energy of a debut. It’s political without preaching, joyful without ignoring the world’s fractures, and musically adventurous without losing the raw, communal spirit that has always defined them.

If Gypsy Punks was the band’s first great mutation, We Mean It, Man! is the next evolutionary leap — a post‑punk groove revenge that proves, once again, that Gogol Bordello mean every word.

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