In a unique and intimate experience at the Brighton Centre this past Friday evening, David Gilmour returned to the stage for a dress rehearsal performance, thrilling a select crowd of just 1,500 fans—a far cry from the stadium-sized shows typically associated with the legendary musician. This showcase marked the unveiling of tracks from his critically acclaimed new album, 'Luck and Strange,' his first in nine years, and it was an invitation into Gilmour's world that few fans have had the privilege to experience.
As the lights dimmed, the first voice to resonate through the venue was none other than Guy Pratt, Gilmour’s longtime collaborator. With his charming and humorous address, Pratt reminded fans to refrain from using their mobile phone flashlights during the gig, framing the event as both a rehearsal and a special moment in Gilmour's storied career. Indeed, this performance had an air of authenticity; with no conventional stage set-up, the production equipment, cameras, and packing boxes were laid out across the floor, forging a more personal connection between the artist and audience.
A sense of exclusivity enveloped the room, transporting the audience to a behind-the-scenes glimpse that felt remarkably intimate. Even as production crew moved about, the atmosphere was brimming with anticipation and warmth, heightened by the genuine joy that Gilmour and his collaborators were exuding.
One particularly touching moment occurred during “Between Two Points,” as Gilmour's daughter, Romany, joined the three backing vocalists to play the harp. Her presence added a lovely familial touch, not just visually but also aurally, as her gentle harp notes floated through the venue. A light-hearted exchange between father and daughter showcased their close relationship—when David inadvertently caught a cable with his foot, Romany teased him, quipping, "Enjoy your trip?" The lightheartedness of the moment perfectly encapsulated the spirit of the evening.
Vocal highlights came throughout the evening, particularly from Ben Worsley, whose performance on "In Any Tongue" was nothing short of remarkable. Worsley’s ability to capture the emotional depth of Gilmour’s lyrics resonated deeply with the audience, further enriched by Romany providing the stunning whistle intro for the song. Every note felt like a tribute to Gilmour’s legacy, blending the nostalgic with the fresh sounds of 'Luck and Strange.'
I may be wrong but I'm sure I saw Polly Samson, Gilmour's partner and a notable figure in her own right, roaming the stage with a baseball cap and camera, capturing candid moments of this unique experience—a testament to the close-knit relationships that define not just Gilmour but the artistry surrounding him.
As the night drew to a close, Gilmour left the audience with a deep sense of connection—a rare glimpse into the man behind some of rock's most memorable melodies. For those fortunate enough to attend this exclusive dress rehearsal, it was a night filled with heartfelt performances, genuine laughter, and an overwhelming sense of being part of something truly special.
David Gilmour’s next tour dates in Rome, London, Los Angeles, and New York will surely attract huge crowds, but nothing may quite match the magic of this intimate evening at the Brighton Centre, a rehearsal that felt more like a celebration of music, family, and the artistry that has defined a career spanning over five decades.
Setlist
Set 1:
5 A.M.
Black Cat (Live debut)
Luck and Strange (Live debut)
Speak to Me
Breathe (In the Air) (first live performance since 2006)
Time
Breathe (Reprise)
Fat Old Sun
Marooned (First live performance since 2004)
Wish You Were Here (followed by band introductions)
Vita Brevis (Live debut)
Between Two Points (with Romany Gilmour) (Live debut)
High Hopes
Set 2:
Sorrow
The Piper's Call (Live debut)
A Great Day for Freedom (First live performance since 2006)
In Any Tongue
The Great Gig in the Sky
A Boat Lies Waiting
Coming Back to Life
Dark and Velvet Nights (Live debut)
Scattered (Live debut)
Encore:
Comfortably Numb
Words and Pictures by Julian Baird.
