Some bills feel too good to be true. On November 9th, Bristol O2 Academy hosted a night that felt like a gift — a double headline of poetic powerhouse Kae Tempest and Mercury Prize-nominated rising star Jacob Alon. The city responded in kind, packing out the venue early and ready to be moved.
Jacob Alon, a London-based singer-songwriter whose recent Mercury nod has turned heads, opened the night with a performance that felt like a masterclass in emotional vulnerability. Armed with two guitars and a grin that disarmed the room, Jacob launched into “Liquid Gold 45” — a self-described “Grinder Poppers Pain song” that had the crowd laughing one moment and aching the next.
Tracks like “Fairy in a Bottle” showcased their ability to shift from jovial banter to heart-wrenching delivery in seconds. Their voice — rich, meditative, and pitch-perfect — held the room in a hush so deep you could hear a tear drop. It was a set of defiance, acceptance, and connection, and by the end, Jacob had the audience looking to each other for emotional support. A flawless opener.
Kae Tempest needs little introduction. The South London poet, playwright, and performer has carved a singular space in UK culture — blending spoken word, rap, and theatre into performances that feel like communal therapy. Touring his latest album Self-Titled, Kae’s live show transcends the record. The words — analytical, impassioned, and deeply human — ripple through the crowd with amplified urgency.
Tracks like “Forever” and “Diagnosis” hit hard, offering both personal introspection and societal critique. But it was “Faces” that lit up the room — Kae beaming with joy, shouting “I LOVE PEOPLE’S FACES” while locking eyes with fans mouthing every word. It was a moment of pure connection, and the Bristol crowd returned the love in waves.
Joining Kae on stage was Manchester’s Pops Roberts, vocalist of soul collective Lovescene. On keys, drums, and vocals, Pops added warmth and texture to the set, smiling wide and radiating appreciation. Their harmonies and presence elevated the show, grounding Kae’s intensity with soulful grace.
The night closed with Jacob Alon returning to the stage for a bold, beautiful rendition of George Michael’s “Freedom.” Kae delivered the verses in his signature spoken word style, while Jacob and Pops harmonised with fearless finesse. It was a brave choice — but they nailed it.
As “LET ME BE LOVING” beamed across the screen, the crowd embraced. Hugs, kisses, tears — a collective exhale of joy and gratitude. It was more than a gig. It was a shared experience of empathy, artistry, and emotional release.
There aren’t many who can do what Kae Tempest does. Each show deepens the bond between artist and audience, and Bristol felt that bloom in full. A night of intense joy, and one we’ll carry with us for a long time.
