The Trinity Centre in Bristol was alive with anticipation as The Waeve, the brilliant collaboration between Graham Coxon and Rose Elinor Dougall. Formed in 2021, this duo has carved out a unique sonic identity, blending cinematic British folk-rock, post-punk, and free fall jamming. Their two studio albums, the self-titled debut released in 2023 and the follow-up City Lights in 2024, have showcased their evolution into a bold and expansive soundscape.
The evening began with White Magic for Lovers, a duo comprising Tom on electric guitar and Alfie on bass. Bathed in red spotlights, their sublime vocal harmonies and mellow Americana folk vibe set a dreamy tone. Highlights included a harmonica interlude by Tom and a guest appearance by saxophonist Matt Eaton, who also contributed to their album The Book of Lies. Their set culminated in a cover of ‘Lullaby’ by LOW, featuring multi-instrumentalist Charlotte Glasson, and closed with the poignant ‘Your Time Hasn’t Come Yet, Baby.’ Catch them on tour with Sea Power in April 2025 for more of their enchanting performances.
The Waeve’s live performance was a revelation to this reviewer, offering a more rockier edge compared to their studio debut. The five-piece band, featuring Graham, Rose, Tom (from the support group), Charlotte Glasson, and an exceptional bassist, delivered a robust and complex set. Charlotte’s seamless transitions between saxophone and violin added an angular diversion to the piano-led melodies, creating a swirling, psychedelic atmosphere.
Tracks like ‘Broken Boys’ erupted into a guitar frenzy, while ‘City Lights’ showcased Graham’s signature guitar shriek (I’m sure there’s a technical term for it but this is what to sounded like), and his adventurous saxophone experimentation. The set oscillated between softer, piano-led numbers with smooth saxophone undertones and intense, high-energy tracks that electrified the room. Their unpredictable and melodic sound captivated a diverse audience, from enthusiastic young fans to seasoned music aficionados.
The chemistry between Graham and Rose was clear to see, their energy radiating through the venue. Rose’s humorous quip about her tambourine-playing endurance after 5 days on the road and Graham’s anecdote about his six-string bass guitar (mistakenly attributed to Larry David before being corrected to Larry Graham) added a touch of levity. Graham’s versatility shone as he switched between guitar, saxophone, harmonica, and even a mandolin for a heartfelt folk song dedicated to their daughter, ‘Song for Eliza May’.
The on stage camaraderie was evident, with each member contributing to the intricate soundscape. Despite the toll of five consecutive shows, their passion and joy were undeniable. Rose’s encouragement for the younger audience to form bands and Graham’s self-deprecating humour about needing more time between songs to get his head together added a personal touch to the evening.
Their performance at the Trinity Centre was life-affirming, proving their musical prowess and ability to connect with a broad audience. The short but impactful tour left fans eager for more, and their upcoming festival appearances, including Big Festival in August, promise to be unmissable. For those who appreciate a complex and sonically rich live experience, The Waeve delivers in spades.
Words Steve Muscutt
Pictures Manc_Wanderer
Setlist
Love is All Pain
Broken Boys
City Lights
Undine
You Saw
Over & Over
Eternal
Song for Eliza May
Sleepwalking
Drowning
Moth to the Flame
Kill Me Again
Sunrise
Can I Call You
Druantia
