WOMAD, the brainchild of Peter Gabriel back in 1982, has flourished into a global cultural phenomenon, and this year’s festival, held from July 25th to 28th at Charlton Park, once again lived up to its reputation. This family-friendly event, famed for its eclectic workshops and children's activities, saw its grounds filled with the sounds of diverse music genres, while food stalls offered a culinary trip around the world. Whether you were munching on classic fish and chips or Apple Crumble and Custard my Favourite or savouring exotic Tangine, WOMAD ensured no one went hungry.

Friday: Political Pioneers and Portuguese Perfection

My WOMAD experience kicked off with DAM, the Palestinian-Israeli rap pioneers. Their set was a raw and politically charged performance, marred slightly by the frequent expletives, but it was impossible to ignore the urgency of their message. The audience’s placards demanding an end to genocide underscored the weight of their lyrics.

In a stark contrast, Lina from Portugal graced the Charlie Gillett Stage with her faultless vocals. Her seamless transition from keyboards to vocals was mesmerizing, and her recent collaboration with Lee Ranaldo of Sonic Youth has certainly paid off. Keep an eye on her—she’s a rising star.

Saturday: Goldfrapp’s Glorious Return and Punk Pandemonium

Saturday was abuzz with anticipation for Alison Goldfrapp. Performing in the Siam Tent, which was packed to the rafters, Goldfrapp showcased a mix of new tracks and beloved classics. The dimly lit stage, awash with colours echoing her album cover, added a touch of theatrical brilliance to her set.

Gogol Bordello followed, turning the energy up several notches with their riotous punk antics. Eugene Hutz and his bandmates from the USA were a whirlwind of mayhem and musical genius. Their tribute to Volodymyr Zelensky, “Man with the Iron Balls,” was a standout moment that left the crowd breathless.

Sunday: Classic Comebacks and Zambian Rhythms

A last-minute lineup change brought Gong to the stage, and despite the short notice, they did not disappoint. Their performance was nothing short of fantastic, a testament to their enduring legacy and musical prowess.

Sampa the Great brought her unique blend of Zambian roots, with a Botswana upbringing, and Californian education to the stage. Her defiance of conventional female rapper stereotypes was evident in every track, “ I don’t want to try to fit into what a female rapper looks and sounds like, I just want to be me.” It wasn’t my type of music but I have to admit she was very good.

The festival’s finale was marked by a vibrant parade through the arena, a visual and auditory feast that was especially delightful for the kids.

WOMAD 2024 was a triumphant celebration of music, arts, and global culture. From politically charged rap to ethereal Portuguese vocals, from the timeless sounds of Gong to the modern beats of Sampa the Great, there was something for everyone. The festival continues to be a beacon of diversity and inclusivity, offering a platform for artists from every corner of the globe. Here’s to many more years of WOMAD magic.