Twin Atlantic return with a renewed sense of purpose on their brand‑new single ‘Don’t Quit It’, a widescreen alt‑pop anthem that marks the beginning of their new partnership with independent label Dance To The Radio. It’s a track that feels instantly alive, bold, melodic and bursting with the kind of energy that has long defined the Scottish band’s most triumphant moments.

Luna Rosa don’t return, they ascend and with their new single ‘Lift Me Up’, landing 12 June, the Corby quartet deliver their most widescreen, heart‑swelling moment yet.

At Lightroom, King’s Cross, six photographers who helped define David Bowie’s visual mythology reunited to tell the stories behind the images that shaped a generation. What unfolded was part masterclass, part confession, and part séance — a rare night where the people behind the lens finally stepped into the light.

Becky Hill has never been one to play it safe. Across a decade of chart domination, festival takeovers and club‑floor anthems, she’s carved out a lane entirely her own, equal parts underground credibility and mainstream firepower. But her third album, ‘REBECCA’, landing September 25th via Polydor, feels like the moment she stops running at the pace the industry demands and starts moving at the pace she chooses.

The Lemonheads are officially in comeback mode, and the UK is getting the lion’s share of the celebration. Fresh off the release of their acclaimed 2025 album Love Chant, Evan Dando and his ever‑evolving cast of collaborators have expanded their 2026 European tour with eight new UK dates, bringing the total to a hefty 17 shows across the country.

Trauma Party aren’t here to whisper. They’re here to shake you awake, and their new single ‘Speak to Me’ is the sharpest jolt yet from the Waiheke Island four‑piece who’ve been quietly (and loudly) rewriting the rules of New Zealand post‑punk.

If anyone was hoping to be eased in gently to the 2026 festival season, the May Bank Holiday weekend weather had other ideas. In a sweltering Hatfield Park, 30,000 alternative music fans stubbornly donned their black band-tees and ventured out into the virtually shadeless expanses of the Slam Dunk arena for the 20th anniversary of the iconic alternative music festival.

There’s a particular kind of mythology that follows Kiefer Sutherland wherever he goes. For most people, he’s the gravel‑voiced force of nature who anchored 24, Stand By Me, The Lost Boys, and a lifetime of iconic screen moments. But step into a venue like Exeter Phoenix and you quickly realise that Sutherland isn’t here to trade on Hollywood nostalgia. He’s here as a songwriter, a bandleader, and a man with stories to tell, the kind carved from late‑night highways, bruised memories, and the quiet truths that only surface when the cameras stop rolling.

A year spent tearing through stadiums with Metallica, conquering festival main stages across Europe, and hauling their carnival of chaos all the way to Australia, AVATAR are closing out 2026 on their own terms, in the dark, in the cold, and very much in their element.

Manchester’s Westside Cowboy have spent the past two years quietly, and sometimes not so quietly, becoming one of the most talked‑about new bands in the UK. The Guardian called them “thrilling”, DAZED declared they’re “reshaping UK indie”, and Rolling Stone UK went even further, naming them “one of Britain’s most thrilling bands”. Now, the quartet finally step into the spotlight with the announcement of their debut album It Goes On, arriving 21 August via Island Records.

Trash Boat are heading back to London this October, not just for another tour date, but for a moment that feels like a line drawn through their entire story. The St Albans band have announced their first ever headline show at KOKO, celebrating 10 years of their debut album Nothing I Write You Can Change What You’ve Been Through, the record that first carved their name into the UK alternative scene.

The Script have never been a band to shy away from the big emotions — grief, resilience, identity, the messy business of being alive. But their newly announced album, ‘The User’s Guide To Being Human’, feels like a line in the sand: a rebirth, a recalibration, and a reminder of why Danny O’Donoghue remains one of the most emotionally direct songwriters of his generation.

PRESIDENT have spent the last year moving like a shadow through the UK heavy scene, anonymous, meticulous, and strangely magnetic. No faces, no mythology, no genre‑box to tick. Just a growing trail of singles that feel more like transmissions than releases, each one hinting at a bigger world being built behind the curtain.

Today, that world finally has a name.

Arizona’s progressive heavy‑rock trio Little King are gearing up for a return to the road this July, taking their acclaimed 2025 album Lente Viviente out for its first full West Coast run. For a band now three decades deep into a constantly evolving creative journey, this tour feels less like a victory lap and more like a new ignition point.

Another year. Another last‑place finish. Another night where the UK sits in the green room looking like someone’s nan dragged them to a rave they didn’t want to attend. Eurovision 2026 didn’t just go badly — it went predictably badly. And that’s the real embarrassment. So let’s stop tiptoeing around it. Let’s say the quiet part out loud.

Exeter’s Cavern has hosted countless chaotic nights, but Crooked Little Sons’ one‑night‑only return on Friday felt like a full‑body jolt of history, heartbreak and pure punk ’n’ roll adrenaline. After thirteen years together, this was the last ever show with the current lineup — a final, furious celebration before the band dissolves into whatever comes next. Only Josh will continue into the “new world” of CLS, and even he admitted no one knows when or what that future will look like.

Micko & The Mellotronics return with one of their most introspective releases to date. Their new single “Shadow”, out now, offers a compelling dive into Jungian psychology while giving fans another taste of the band’s forthcoming third album, The Trinity, arriving 12th June.

Bloodstock Festival 2026 is shaping up to be one of the biggest, loudest, and most diverse weekends the UK metal scene has ever seen, and if you’re anywhere near the South West (or willing to travel for riffs), this is one you’ll want on your radar. Whether you’re a seasoned metal veteran, a younger fan discovering heavy music for the first time, or a family looking for a festival with genuine all‑ages appeal, Bloodstock’s 25th anniversary edition has something for everyone.

Bleachers are back — and they’re not easing into anything. The New Jersey six‑piece, led by the ever‑restless Jack Antonoff, have dropped their new single i’m not joking, a widescreen burst of heart‑on‑sleeve indie pop that tees up their forthcoming fifth album everyone for ten minutes, out 22 May via Dirty Hit.

When Ash dropped 1977 back in 1996, it felt like someone had fired a bottle rocket straight through the Britpop skyline. Three teenagers from Downpatrick somehow bottled the chaos, charm and hormonal rush of being young, loud and absolutely unstoppable. Thirty years later, 1977 still sounds like a debut made with zero fear and maximum heart.